Isa Wipfli Photography
David Long Photography
Media
"Raining" from Rocky
Let's Chat!
Reach Out!
Video and Audio
"Honey Honey"
Mamma Mia
“Air champetre”
Francis Poulenc
Commercial Voiceover Demo
"Over the Rainbow"
Wizard of Oz
"Waiting"
I Love You, You're Perfect, Now Change
Jazz Standards Demo
News and Press
January 01, 2020
Guest on Splittin' a Bottle - a podcast with Justin Wagner
"Splittin' a Bottle is a long form, free flowing conversational podcast featuring interesting young professionals. We will discuss career, living in New York City, politics, entertainment, and anything else that comes up organically."
https://www.justin-michael-wagner.com/podcast/
January 01, 2020
Emily joins the Cast of Day Drinking with The Imbible at New World Stages!
from the imbible.nyc : "THE IMBIBLE: DAY DRINKING, the latest edition of the smash-hit musical comedy shows about cocktails and spirits! After all, what could be more New York than combining Bellinis and Bloody Marys with an Off-Broadway show in the heart of Manhattan's world-famous Theatre District?"
January 01, 2020
St. Edward's Website Article: "Cabaret Reimagined on the Hilltop"
"For Emily Ott ’17, the role of Sally Bowles adds another layer of complexity. Ott has always seen herself as more of a Maria from The Sound of Music — a far cry from the seductive, manipulative Sally. After struggling to find a connection, she came to understand Sally as someone making the most of a time with few opportunities for women."
by Lauren Liebowitz
December 04, 2016
Theatre Review in Austin Chronicle for The Resistable Rise of Arturo Ui
"The gloom is cut chiefly by the music, with composer Peter Stopschnski leading a speakeasy trio on a handful of upbeat jazzy breaks, which also showcase the considerable vocal skills of Emily Ott, the show's Barker"
REVIEWED BY ROBERT FAIRES, FRI., OCT. 7, 2016
December 04, 2016
Theatre Review in the Austin Chronicle for The Robber Bridegroom
"Though her character is demure, student Emily Ott gives a performance that's quite mature – her succinct comic timing is backed up by her strong singing voice. "
REVIEWED BY ELISSA RUSSELL, FRI., APRIL 24, 2015